Tristan Hughes was born in Atikokan,
Ontario, but he grew up in Wales and graduated from Cambridge University
with a PhD in literature. He has published three well-received novels
in the United Kingdom, and Revenant, the third one, is the first
to be published in Canada.
The setting is a Welsh island
off the coast of Wales. Neil, one of the three main protagonists, has
lived there his whole life; now in his twenties, he tends bar at the
local pub, the George and Dragon. He has asked two of his boyhood friends,
a young man named Ricky and a young woman named Steph, to return home.
They've been gone for years, and we suspect the reason for the summons
has something to do with Del, the fourth member of what used to be their
"gang."
The method author Hughes uses
for telling the story is reminiscent of Graham Swift's in his Booker-Prize-winning
Last Orders. In Swift's novel, several characters took turns
relating events, each in his or her own vernacular. In Revenant,
Neil, Ricky and Steph alternate as first-person narrators.
Ricky's selections are presented
in his informal speaking voice: "And it seems so stupid now how excited
we got to find crap. But crap's different when you're young: it's like
treasure or something, like booze and fags are going to be later. Take
a seagull's egg. It's nothing, is it--a big greeny-brown egg--but .
. . Del and I almost broke our necks a hundred times climbing up the
cliffs for them. . . . And when we got them what do we do--we chuck
them right back off the cliff!" (171)
The Steph and Neil narrations
use more formal diction. Neil's sections must be either his thoughts
or his writing, since we are told by Ricky that Neil has had a bad stutter
all his life and tries to avoid speaking.
As in Last Orders, the
narrative moves back and forth from present to past and back; it's sometimes
difficult in reading Revenant to keep track of where we are.
Usually the tip-off that we are in the past is the presence of Del,
the rather plain girl who more or less led the foursome and instigated
most of their forays into mischief.
Billed as a gothic novel, Revenant
(the word refers to a person who's returned from the dead, or a ghost)
is full of portent, with its brooding landscape, its imposing woods
and its scary sea. There is, however, little or nothing that is supernatural
or fantastic.
Hughes's great strength is in
conveying the island (Anglesey, or Ynys Mon, where he himself has lived)
and the village, which is so small that the two-room school is closing.
Here is Ricky on village life: " . . . everyone's waiting for something
and they don't know what it is and it's never going to happen, it's
never going to turn up. . . . It's like you've retired before you've
even got started. Sod school and that, they should just give you your
pension book when you're born and have done with it." (95)
The George and Dragon is effectively
evoked, with its regulars who engage in the same banter day after day.
We see the village brace for the influx of tourists, who seem ever present,
like so much background.
Steph is perhaps the most mysterious
character; she wishes she were less of an outsider (she comes from the
nearest town, not the village) and could rival Del for leadership of
the group. She knows she's much prettier than Del: "The boys [Del] banters
with tie up their tongues in front of me and start hitting each other
or stealing car aerials." (62)
Ricky is attracted to Steph;
in their adolescence, he tries to get close to her and does kiss her
at one point, but there is no burgeoning sensuality in this novel. All
the characters show bursts of anger--Ricky most of all--though emotions
mostly simmer.
As Del leads the group through
the woods, Neil muses: "I realize how thankful I am that she can take
me here and make me feel safe, that she can live so fearlessly in this
world of monsters. I sense that ache of gratitude that I think is love.
And maybe it is. Maybe it's the simple thanks we give for protection."
(72)
It's the ghost of the intrepid
Del that pervades this oddly moving novel, as three flawed but well-fleshed-out
young characters try to come to terms with what happened ten years before
and sort out what kind of people they've become without Del in their
lives.