The title of Ron
Charach's collection of essays on violence, health, and identity--Cowboys
& Bleeding Hearts--yokes together seemingly disparate elements in
an almost surreal manner. Indeed, the book's abstract cover design further
encourages a surrealistic reading of the essays within. Yet, these works
engage the most realistic elements in our lives from the perspective
of a psychiatrist and poet who exposes the absurdities of the pressing
realities at the heart of gun violence. As we discover in one of the
later essays, "cowboys" refer to right wing, conservative politicians,
while "bleeding hearts" allude to leftwing, liberal ideologies.
Although Charach's
politics lean toward the left of centre, his balanced views keep him
close to centrist thinking, for he is critical of extremes at both ends
of the spectrum. The four epigraphs to this collection attest to Charach's
multi-faceted approach to politics, religion, and psychiatry. A sentence
from Montaigne serves as the first epigraph: "I write to keep from going
mad from the contradictions I find among mankind - and to work some
of those contradictions out for myself." With wit and wisdom, Charach
also attempts to make sense of society's contradictions. Gandhi supplies
the second epigraph: "What do I think of Western Civilization? I think
it would be a very good idea." The third epigraph comes from Eric Hoffer:
"The well-adjusted make poor prophets." And the final epigraph belongs
to Azar Nafisi: "You need imagination in order to imagine a future that
doesn't exist."
Through several
brief essays that first appeared as letters to the editor of various
newspapers, Section One focuses on gun violence. As interesting and
important as each of these individual letters appears, one could argue
that they could have been amalgamated as one lengthy essay, since some
repetition occurs. Charach's dual roles as poet and psychiatrist recur,
as does his stance against guns and violence in his variations on a
theme. These are mere quibbles, however, in an otherwise impressive
book. The poet's wit is displayed in some of his titles: "When a Good
Man Turns Gunman," "Arms and the Man," "Pop, Pop, Pop: The Sound of
Violence," and "The Trouble with Tasers." Poetic wit, combined with
the psychiatrist's wisdom, constantly engages the reader on subjects
vital to personal and societal health.
Charach attributes
widespread gun use to the user's need to bolster his sense of manhood,
to Hollywood's glorification of weapons, and to paternal absence. Citing
personal examples from his wife's American family, Charach traces the
history of racism and the frontier mentality, and concludes that the
"need for guns by the bedside has much to do with these deeply suppressed
collective memories, all the stronger in those who harbour racism, whether
consciously or unconsciously" (29). His wide-ranging discussion includes
Para-Ordnance (Canada's only gun manufacturer), a series of American
films devoted to violence, and Sandy Froman, the President of the National
Rifle Association. A small woman brought up in a liberal family in the
San Francisco area, Froman became convinced of the need to be armed
when a man with a screwdriver tried to enter her apartment, and her
calls for help failed to catch the would-be intruder. From that time
on, she vowed never to depend on law enforcement for her personal safety.
Yet, statistics show that Froman's change of heart does not offer a
solution to the problem.
"Gun Violence"
concludes with a brief piece on St. Valentine and St. Sebastian, two
winter martyrs killed by older men. Arrows through hearts remind us
of the real and symbolic deaths associated with Valentine's Day, as
well as the connections to "bleeding hearts."
Section Two deals
with health, as Charach explores "mythic marijuana," pornography, alternative
medicine, and the relationship between poetry and psychiatry. Having
been in the position of listener for so many years, the psychiatrist
finds catharsis in the release of writing where he occasionally bares
his own body and soul in matters of personal pain. He guides us through
the medical system so that we empathize with him, just as he empathizes
with his patients. From acupuncture to chiropractors to orthotics, the
patient/psychiatrist runs the full gamut of alternative treatments and
arrives at two sensible conclusions: (1) look for someone who is sympathetic
to your plight and who respects your physical limits; (2) beware of
one-size-fits-all solutions. Adding that optimism may be the best medicine,
he offers his mother's personal advice: "It's a great life . . . if
you don't weaken." Charach's chicken soup for the soul is tasty and
wholesome.
Section Three contains
several essays devoted to religion and identity. The author blames both
conservatives and liberals for the rise of corporate greed and chaos
in the global economic system. "The naive liberal ethos of expanded
home ownership was compounded by the reckless cowboy ethos of deregulation
. . ." (128). In "Canaries of the Mind-Shaft" he exposes current anti-Semitism.
Once again, the self-styled bleeding heart liberal gives a nuanced view
of the situation in the Middle East. "Even though Northern [sic] Israel
has been harassed for eight years by Hamas rockets, even though suicide
bombs killed, maimed or traumatized thousands, even though Israeli innovation
and democracy makes the country the David of the Middle East, effective
Palestinian and sympathetic European PR have no problem portraying Israel
more as Goliath and the Palestinians as slingshot-wielding underdogs
in this battle" (141).
With all of Charach's
gifts as poet, psychiatrist, and essayist, it would be interesting to
see him turn to the genre of fiction, where his empathy toward patients
would no doubt result in imaginative characters on the page.