Lost in the torrent of fat,
glitzy-covered commercial books that flood your favourite bookstore
are quiet, charming novels like this one from Ontario's Andrew Binks.
It's so tautly written and so direct in its narration, it makes the
average bestseller seem flabby.
The Summer Between is
Binks's first book, a refreshingly straightforward novel about one summer
in the life of a twelve-year-old boy named Dougaldo Montmigny. Told
by Dougaldo in his youthful vernacular, it covers some of everykid's
experiences while identifying moments and characteristics particular
to the boy, his sister Margaret and their parents.
The Montmigny family lives on
a river in rural Ontario, near a town called Baird's Landing. "A footpath
joins all the places," Dougaldo tells us. "If you keep on it, you'll
just keep going miles past Tomahawk's place and everyone else's too.
Mom says it's made by them Injuns and Dad says by the loggers. I think
it's Injuns because we still have trees, no one took them." (42)
Dougaldo's father is French
Canadian, but "he only speaks French when he swears. Mom doesn't like
any of us to speak French at home." (9) Nor does she approve of Dougaldo's
associating with Tom, or Tomahawk, since he's half Aboriginal.
Dougaldo welcomes the summer
because it takes him away from school, where the kids are merciless
in their taunting of him, for being French, for being girlish in his
looks. And summer brings Tom to the area. He's a year older than Dougaldo
and wiser and stronger.
Dougaldo is well aware of the
homophobia that's rampant among his peers, and he wants to be like them,
but he still feels an innate physical attraction to Tom: "I pick up
one of the comics and flip through, look for Bazooka Joe prizes with
Tom at my shoulder. He squats, knees to his chest, and his rough feet
just touch mine, and I breathe fast from the chill I get. He leans close.
His skin so much darker and dark hair on his legs never gets light from
the sun. . . . He's so close. I don't want to be afraid. I just want
to touch him." (149)
Author Binks moves his narrative
chronologically through the events of summer, the trips out in a boat,
the visits by relatives from the city, a party for the people from Mr.
Montmigny's newspaper:
Miss
Harris, Dad's secretary, real pretty and I've seen her other summers--"A
deevorsee," says Mom--she always brings a different date. She
looks like a movie star.
"Why's she Miss if she's divorced?"
I asked Mom.
"Because she's a floozy," she whispers.
"What's a floozy?"
"Ask your father." (127)
Then there's the camp Dougaldo
is forced to go to--too much like school, and too far away from Tom.
Throughout, the dialogue is
crisp; there is no melodrama, nothing contrived, no flashbacks.
Binks does give little interludes
that are scenes from the home movies the mother has made over the years,
scenes made poignant by the gradual deterioration of the parents' marriage.
The Summer Between succeeds
as a low-key account of a boy testing his instincts and his upbringing
in a natural but ever-more-complicated world.